Lucy Morrissey AS Media Studies
Sunday 6 April 2014
Wednesday 2 April 2014
Tuesday 25 March 2014
Creating My Double Page Spread
Original Image: Photoshop
Image:
First Side of the Double Page
Spread (Left Side-A4):
Before, I could start to create my double
page spread; I had to create a plain Photoshop A4 Page. To create this, I had
to open Photoshop and go to file 'new' and then click international paper and
then click A4. The size that I wanted to make my double page spread was A4 I
did this to conform the codes and conventions of a magazine. Once I had opened the
plain document, I had to open the image that I wanted to use as the cover of my
magazine. To insert the image, I had to go to file>Open and then locate to
the image that I wanted to use. I decided to use one whole image for one side
of my double page spread so that the reader could just focus on this image
without there being lots of text on the page, which would distract them from
focusing on the image. I have also decided to put all of the text on the other
side of the double page spread.
When I opened my image I noticed that the
colour of the lighting on the image doesn't look very effective, the lighting
was too bright and didn't allow the models face to stand out very much, which
wouldn't be very effective in trying to catch the readers eye, so I decided to
add a colour overlay to my image. To add this I inserted a shape and drew it
over the whole image and chose the colour that I wanted. As I didn't just want
a block colour as my main image, I needed to lower the opacity of this
shape/colour so that you could see the actual image. After I added this colour,
as you can see the model stands out a lot more and doesn't look as bright (see
image above).
I then added a brightness/contrast layer; I
did this by going to the toolbar underneath the layers and going to
"Brightness/Contrast". This allowed me to adjust the brightness of my
model to make her stand out more.
I then added a "Levels" layer to
my double page spread. I used the Levels adjustment to correct the tonal range
and colour balance of an image by adjusting intensity levels of image
shadows, mid tones, and highlights of my double page spread. To add levels
to my double page spread, I had to go to the toolbar underneath the layers
and go to adjustment layers and then to "Levels". I adjusted the
colour of my image by making it a lot brighter as I didn't just want
the colour overlay that I previously added to be the colour of the background
on the double page spread. As you can see in the image above, the levels
changed the whole colour of the background, which is convenient because the
lighting is now the same colour as the image used on the front cover which
makes it easy for the reader to recognise the image.
I then added multiple colours into my image
on top of the levels layer, this was to add a professional looking effect to my
image. I went to the toolbar at the bottom of my screen>curves. Curves
allows you to adjust tones of the image, to brighten and darken, add
contrast to your image as well as allowing you to add shift colours to
your image. Curves consist of three colours of which you can add to your image
(Red, Green and Blue). Again, following on from the front cover, I added blue
and red to my image and a little bit of green to ensure the image wasn't too
bright. I also had to do this as this was what I did for the effect on my other
images and I need to keep to a particular house style throughout my magazine.
To do this I chose the colour>Channel>Red>Input (Made it
brighter)>Output (lowered the brightness). I had to do this for all three
colours.
I decided to add a 'Bokeh effect' to my
image. This was very beneficial for me as it helped me develop my skills on
Photoshop as this effect is something that I have never done before using
Photoshop. To add the bokeh effect I clicked on the brush tool and went to
layers>create new layer. I then chose a foreground colour (which was pink to
keep a consistent house style throughout my magazine). I then added different
size circles all over the page. Once I had added all of the circles that I
wanted, I went to Filter > Blur > Gaussian Blur, this blurred the circles
so that they didn't stand out too much, although they did still stand out, they
still allowed the main image to be the main focus of the contents page. The
next step I took was to add a Photo Filter Adjustment Layer at the top of all
of my layers. The final step that I took was to add brightness and contrast
effect. (see image above to see the bokeh effect). This helped me improve the
background of my image as well as improve my Photoshop skills as this is a
skill that I have never used on Photoshop before. Using this effect also makes
my magazine unique as not many magazines use this effect as most POP magazines
focus on a white background but this effect will ensure my magazine stands out
against other POP magazine targeted at the same audience (females aged 15-19).
I then added the
content to the first side of my double page spread, which was a Headline and
quote with a page number in the corner.
Second Side of the Double Page
Spread (Right Side-A4):
Now that I have finished completing the first half of my double page spread, I can move onto the other half which contains the artists interview.
Firstly, when I
designed the first draft of my double page spread, I decided that I wanted 3
images to go along the top of my double page spread, however, I wanted these
images to be black and white images so that the main image could still stand
out even if there were other images on the page. In order to add these 3 images
to the page I had to open up the image I wanted>Use the quick selection tool
to 'crop' around the image (which can be seen in the dotted lines in the print
screen above). The images that I used had already been taken in black and white
on the camera, so I did not have to convert these to black and white images.
Once I had
selected the part of the image that I wanted to crop, I used the 'move tool' on
the toolbar on the side of my screen to move image from to a plain A4 Photoshop
page. ( I had to do this for all 3 images).
Once, I had
cropped and moved all of the images that I wanted to use to the plain A4
Photoshop page, I had to re-size them by holding down
"ctrl-t" on my keyboard and I made all of the images the same size
and moved them to the top of my page.
One of the pieces
of feedback that I got for my second draft was to add something colourful
between the images and the text. I decided to add 3 colourful lines to match
the colour scheme of my magazine. To add these I added a new layer to my
magazine>went to the toolbar on the side of my page>clicked 'line'>I
chose my foreground colour to be pink and drew the line on page (I did this for
all three lines, which are situated underneath the three images).
I then added one layer of curves to my
double page spread. I went to the toolbar at the bottom of my
screen>curves. Curves allows you to adjust tones of the image, to brighten
and darken, add contrast to your image as well as allowing you to add
shift colours to your image. Curves consist of three colours of which you can
add to your image (Red, Green and Blue). This was because I done it to one side
of my double page spread so I had to do it to this side otherwise the lighting
and colours of the images would not be the same.
Now that I
have added all of the effects that I wanted to my image, I could add the
content. I used 'Tajan Pro' At the beginning of the interview to introduce the
artist. I did this by using the 'T' on the toolbar on the side of my page. I
decided that I wanted to make the artists name pink so that the reader was
aware of who is features on the page, to do this, I highlighted the name and
changes the foreground colour to pink.
I then added the interview to my page,
using the "T" tool. I decided to have the questions in pink and the
answers in black so that it was easy to identify the difference between a
question and the answer.
I decided to have the main quote that I used in the interview in "Italics Bold" as this is the quote that I used on the headline on the front cover of my magazine, so it needs to stand out within the interview on the Double Page Spread. To do this, I highlighted the text and went to the toolbar at the top of my page and where it said 'Style' I clicked Italic Bold.
Finally, I added the Bokeh effect, to add
the bokeh effect I clicked on the brush tool and went to layers>create new
layer. I then added different size circles all over the page. Once I had added
all of the circles that I wanted, I went to Filter > Blur > Gaussian
Blur, this blurred the circles so that they didn't stand out too much, although
they did still stand out, they still allowed the main image to be the main
focus of the Double Page Spread. (I also done this on my contents page, which
can be found under the title “creating my contents page”).
Putting my double page spread
together (A3 Page):
However, although I had now finished creating my Double Page spread, they were on two separate A4, therefore I needed to save both of the documents as two "JPEG" images and transfer them to a new A3 document.
To open a new A3 page, I had to go to 'file
at the top of my page' and go to 'new'.
I then chose the requirements for the page,
which was international paper, A4. I then opened this and inserted the two A4
images that I previously saved and this created my double page spread, which
can be found under the title (Final Double Page Spread).
Creating My Contents Page
Original Image: Photoshop Image:
The steps that I took using Photoshop to
create my front cover:
Before, I could start to create my front
cover; I had to create a plain Photoshop A4 Page. To create this, I had to open
Photoshop and go to file 'new' and then click international paper and then
click A4. The size that I wanted to make my was front cover A4, to conform the
codes and conventions of a magazine. Once I had opened the plain document, I
had to open the image that I wanted to use as the cover of my magazine. To
insert the image, I had to go to file>Open and then locate to the image that
i wanted to use.
Now that I had opened the image, I could
start to create my front cover. This first thing I noticed when I opened my
image was that the colour of the lighting on the image doesn't look very
effective, so I decided to add a colour overlay to my image. To add this I
inserted a shape and drew it over the whole image and chose the colour that I
wanted. As I didn't just want a block colour as my main image, I needed to
lower the opacity of this shape/colour so that you could see the actual image.
The image didn't look bright enough and the model didn't stand out from the
background, so adding another colour to the image helped with this.
After I added another colour, I needed to
make the model a little bit brighter. To do this I went to the toolbar and
clicked brightness and contrast, and this allowed me to make the model to stand
out a bit more.
I then wanted to change the lighting of the
background, to make the background a different colour to the lighting on the
model as when I added a colour over it, everything faded into that colour. In
order to change the colour of the background, I first had to change the colour
of the whole image. I decided to make the whole image black and white. To make
the image black and white I went to the toolbar below the layers that I am
using on Photoshop and clicked on the circle symbol and clicked black and white
and this made the whole image black and white. As I only wanted to change the
lighting of the background and not the actual main image of my magazine, on the
black and white layer, I went to the erase tool on the toolbar on the side of
the screen and rubbed out the black and white layer of the model making sure
that I kept the background black and white. This ensured that the image stood
out against the background of the image as in the original image the lighting
where the image was taken did not make the model stand out against the
background. This also kept my magazine consistent from the front cover as I
added the exact same effect to the image on the front cover of my magazine.
This also helped in making sure the model was always the main focus of the
image.
I then added multiple colours into my image
to add a professional looking effect to my image. I went to the toolbar at the
bottom of my screen>curves. Curves allows you to adjust tones of the image,
to brighten and darken, add contrast to your image as well as allowing
you to add shift colours to your image. Curves consist of three colours of
which you can add to your image (Red, Green and Blue). Again, following on from
the front cover, I added mostly blue and red to my image and a little bit of
green to ensure the image wasn't too bright. To do this I chose the
colour>Channel>Red>Input (Made it brighter)>Output (lowered the
brightness). I had to do this for all three colours.
I added one more brightness and contrast
layer to my image, to ensure the image stands out against the background.
When I looked at my image, I realised that
I needed to add something into the background of it to make it stand out a
little bit more and add more of an effect to the page. I decided to add a
'Bokeh effect' to my image. This was very beneficial for me as it helped me
develop my skills on Photoshop as this effect is something that I have never
done before using Photoshop. To add the bokeh effect I clicked on the brush
tool and went to layers>create new layer. I then chose a foreground colour
(which was pink to keep a consistent house style throughout my magazine). I
then added different size circles all over the page. Once I had added all of
the circles that I wanted, I went to Filter
> Blur > Gaussian Blur, this blurred the circles so that they didn't
stand out too much, although they did still stand out, they still allowed the
main image to be the main focus of the contents page. The next step I took was
to add a Photo Filter Adjustment Layer at the top of all of my layers. The
final step that I took was to add a brightness and contrast effect. (see image
above to see the bokeh effect).
Now that I have added all of the effects
that I wanted to my image, I could start to add all of the content to my
magazine, following to codes and conventions of a contents page. I first added
a pink shape by going to shape>drawing the shape>rotating it so that it
went over the corner of the top of the page. I wanted this to be a unique style
for my particular magazine, I added text over the shape, in the font 'Trajan
Pro'. I used this font because this piece of text had to be different from the
rest of the page and had to tell the audience that this was the contents page
and they would be able to recognise this.
The next thing
convention that I added to my contents page was the page numbers, which are a
very important convention of a content page as these allow the audience/reader
to find the page in the magazine to find what they are looking for. Again,
these are an element of the magazine that had to stand out from the rest of the
page so I decided to make the font of them pink, which allows them to stand out
from the black text and will be the first thing that the reader looks at. To
add the page numbers, I went to the 'T' on the toolbar on the left side of my
screen and clicked on the area where I wanted the page number to go and I did
this for every page number.
I then decided to add headings to section
out my contents page into categories. This makes it easier for the reader to
find what they are looking for if they are looking for a particular section of
the magazine. For example, if they wanted to find a page that featured on the
cover of the magazine, they could go to 'cover stories'. Again, this had to be
in bold bright font to stand out to the reader.
Now that I have added the majority of
conventions to my magazine, I could add the final pieces of content. I had to
add what was on every page of the magazine. For this, I decided to explain in
2/3 words what is going to feature in the page, so that the reader wouldn't
have to read to whole description next to that particular page number. I then added
the rest of the description of that page in a smaller font that didn't stand
out as much. To make the most important pieces of text bold, I went to the
layer that the text was on and highlighted it and click the 'B' on the toolbar
at the top of my screen.
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